‘Get Up, Stand Up’: The Story Behind Bob Marley’s Militant Anthem

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There’s a purpose why The Wailers’ “Get Up, Stand Up” sounds extra militant because it progresses. To seek out that purpose, simply look ten inches up from Bob Marley within the 60s and early 70s, and it will likely be standing proper there: Peter Tosh, co-writer of the music, and an imposingly tall man who didn’t pussyfoot when it got here to delivering a message.

‘Get Up, Stand Up’: The Story Behind Bob Marley’s Militant Anthem
Bob Marley at 80

Turning spirit into motion

“Get Up, Stand Up” was apparently written in response to a go to to Haiti, when Bob noticed the poverty of the island’s individuals. It’s not simple to seek out concrete proof concerning the particulars of Bob’s journey there, and he was no stranger to poverty, having grown up within the Trenchtown ghetto of Kingston, Jamaica, so chances are high Bob might need been moved to put in writing the music anyway.

No matter impressed it, Bob’s message is evident. For the primary two verses, he tells the individuals to not wait till the subsequent life to seek out achievement; it’s their proper to be free and pleased on this planet. The strains denying that God will come down from the sky to kind out the world’s issues could seem unusual coming from a singer who was deeply non secular, but it surely’s completely in line with Bob’s Rasta religion: Bob’s God was not above the clouds, however residing with the remainder of us as Emperor Haile Selassie of Ethiopia.

The opening line berating a preacher, which argues that heaven was not “under the earth” is a reference to dying: you don’t should die to seek out paradise, you’ll be able to create it proper right here. Bob took on established Christian beliefs later, notably in “Talkin’ Blues,” from 1974’s Natty Dread album, the place he went even additional, saying that he felt “like bombing a church now that I know that the preacher he is lying”. The 2 songs have one other hyperlink, with “Talkin’ Blues” questioning who might be outdoors preventing for his or her rights, and who might be hiding at house.

The third verse of “Get Up, Stand Up” is considerably completely different. Sung by Peter Tosh on the unique recording, it presents his uncompromising militancy. Tosh spells out what the earlier verses have steered, shifting from uplifting language to highly effective polemic. And in a fashion just like his model of Nina Simone’s “Sinnerman” (aka “Downpresser”), Tosh addresses the oppressor straight, asking what they will do to save lots of themselves now the individuals have realized the reality and are able to wield their energy. Bob’s verses are about uplift and clarification; Peter’s closing verse is about turning that spirit into motion.

A basis for critical artwork

“Get Up, Stand Up’’’s fierce attitude is not just an ancestor of “Talkin’ Blues,” it additionally has the strident sense of a black rebellion, as displayed in 1977’s “Exodus” (most of the latter music’s lyrics would match comfortably inside “Get Up, Stand Up”). On this sense, it was a cornerstone of Bob’s Island profession.

The identical sense of foundations being laid applies to its authentic October 1973 launch on The Wailers’ second album for the label, Burnin’, which was very well-received and proved that the brilliance of their earlier report, Catch A Fireplace, was no fluke. As much as then, most music critics and trade figures noticed Jamaican music as a supply of novelty hits at finest, not a basis for critical artwork, however there was no doubting the seriousness of The Wailers’ message when you heard ‘Get Up, Stand Up’. This music was right here to remain. Island issued the music as a single; it was, nevertheless, nearly the final hurrah for the unique Wailers vocal group: in 1974, after ten years collectively, each Tosh and Bunny Wailer acquired up, stood up, and struck out on their very own.

An anthem to return to

“Get Up, Stand Up” had not completed its work. Peter Tosh returned to the music for his second solo album, 1976’s Equal Rights, and the next yr Bunny Wailer delivered an exhilarating funky model on his sophomore solo report, Protest. British reggae-funk group The Chequers reduce an outstanding dancefloor do-over on their Test Us Out (1976), and that very same yr there was a duet remake by reggae superstars Large Youth and Dennis Brown, with hanging vibraphone.

The music grew to become an anthem to be returned to when required: Bruce Springsteen, Youssou N’Dour, Tracy Chapman, Peter Gabriel, and Sting delivered it at a 1988 profit for Amnesty Worldwide; Butts Band, a gaggle fashioned by ex-Doorways John Densmore and Robby Krieger, coated it for his or her second album in 1975; US punk band Down By Legislation made an arresting model in 1993. Humble Pie’s Steve Marriott coated it in 1989 and The Rolling Stones performed it on their A Greater Bang Tour – possibly they’d picked it up from Peter Tosh, who was signed to their label in 1978.

Bob Marley additionally returned to the music. “Get Up, Stand Up” was a pivotal monitor on his breakthrough Stay! album in 1975. A advantageous model taped stay in 1973 on the File Plant, Sausalito, California, was unearthed for the very good Talkin’ Blues, album launched in 1991, and the music fashioned a part of a militant medley on Stay At The Roxy from 1976, issued in 2003. Remixes by Thievery Company and Ashley Beedle have additionally appeared on official releases, the latter mixing Bob’s anthem with one from the subsequent technology as ‘Stand Up Jamrock’. Because of the 1984 Legend compilation, the decision to motion has reached an viewers past The Wailers’ imagining. So long as there’s oppression to beat and a wrestle to be gained, it’s going to proceed to resonate.

Take heed to the most effective Bob Marley songs on Apple Music and Spotify.

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