CinemaCon is a wrap! Right here’s what we realized at this star-studded conference!
CinemaCon is over, and as soon as once more, JoBlo.com was fortunate sufficient to attend on behalf of the location and take a look at all of the wonderful studio shows. Just about each studio was represented this yr, with everybody reaffirming the truth that, after just a few troublesome post-COVID years, in addition to the lingering impact of the twin WGA/SAG strikes, Hollywood must get audiences again in theatres so as to maintain the trade going.
Listed here are just a few highlights and takeaways we acquired from the shows:
No one 2 seems wonderful:
Whereas Timo Tjahjanto’s No one 2 didn’t get a serious presentation, with Bob Odenkirk presently on Broadway starring in Glengarry Glen Ross, we did get to see the movie’s first trailer, and it’s killer. Whereas the primary film performed on the John Wick system, the sequel does one thing distinctive in that it appears to be an ultra-violent riff on Nationwide Lampoon’s Trip. Within the footage we noticed, Odenkirk’s Hutch takes his spouse and youngsters on vacation to a resort (with Christopher Lloyd’s Gramps in tow), just for the daughter to be bullied by some townies. When Hutch, predictably, beats the shit out of all of them, he realizes that the resort city is run by a queenpin (performed by Sharon Stone), who marks the household for demise. Large mistake. The trailer, which ought to drop quickly, doubles down on each the comedy (it’s all scored by Lindsay Buckingham’s “Holiday Road”) and motion (The RZA kills unhealthy guys with a samurai sword).
The Beatles motion pictures are loopy formidable:
One of many largest information tales to come back out of the conference is that Sam Mendes not solely unveiled his casting of The Fab 4 however that the films will all drop the identical month – April 2028 – and completely in theatres. Will probably be the first-ever bingeable theatrical occasion. It’s formidable – I’ll give it that a lot, even when it sounds just a little insane (what occurs should you miss one? Is there an order?).
Superhero fatigue may not be (fully) actual:
2025 appears to be a make-or-break yr for superhero motion pictures, and CinemaCon showcased unique footage from Thunderbolts and Unbelievable 4: First Steps. The conference additionally unveiled the brand new title for Spider-Man 4 (Model New Day) and a launch date for the much-delayed Past the Spider-Verse. We additionally acquired a five-minute sneak peek at Superman, though that’s since been launched on-line. One fascinating factor, although, is that outdoors of Marvel and DC, studios appear to be giving the style a relaxation.
Comedies may (and will) make a comeback:
CinemaCon was buzzing with enthusiasm about two massive star-driven comedies coming this yr. One was Anzi Anzari’s Good Fortune, through which Keanu Reeves performs a none-too-bright angel, whereas the opposite is Liam Neeson’s The Bare Gun reboot. People love the teaser (the O.J. joke is gold), however we noticed even higher footage at CinemaCon. I believe that film is perhaps a large hit.
Unique motion pictures are necessary:
Whereas studios nonetheless depend on established IP, some are mixing issues up in an enormous means. Amazon/MGM, notably, have just one sequel being launched theatrically this yr – The Accountant 2. All the opposite movies are unique. Warner Bros can also be making an enormous swing with P.T. Anderson’s massively formidable One Battle After Another, for which we noticed some prolonged footage.
Lionsgate is betting massive on John Wick:
The John Wick universe is about to be expanded in an enormous means. Not solely was Lionsgate busy selling Ballerina (try our Ana de Armas interview above), however they’ve additionally greenlit one other John Wick sequel, AND an animated prequel, PLUS a spin-off film centered on Donnie Yen’s Caine.
Theatrical home windows have to be longer:
One frequent chorus was that theatrical home windows have gotten too brief, and exhibitors really feel the pinch when studios put motion pictures on VOD inside seventeen days (which occurs any time a movie underperforms). Exhibitors need no less than 28 days of exclusivity, whereas they need 45 days on blockbusters. Disney appears essentially the most keen on this regard, with them ready 45 days to launch their Marvel motion pictures and blockbusters digitally.
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