Kristen Stewart is celebrating the debut of her first-ever directorial function with some contemporary ink.
The “Twilight” actor attended France’s Cannes Movie Pageant the place her new movie, “The Chronology of Water,” held its world premiere final week. She walked the pink carpet in an all-white Chanel swimsuit with trouser shorts wherein her new tattoo, which reads “MINE” in all capital letters and is positioned on her proper thigh, was seen.
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Many followers had been fast to imagine that the tattoo was an homage to Taylor Swift’s “Guilty as Sin?” The track, which seems on Swift’s 2024 album “The Tortured Poets Department” and is rumored to have been impressed by her transient romance with The 1975 musician Matty Healy, options the lyric: “What if he’s written ‘mine’ on my upper thigh, only in my mind?”
However in an interview with New York Journal’s Vulture weblog, Stewart revealed that the brand new tattoo ― which members of the film’s movie crew additionally obtained ― is a wink at an particularly titillating scene in “The Chronology of Water.”

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“The coolest song in the movie is when she comes on her hand, smells it, wipes it on her fucking bicep, and goes, ‘I didn’t know a girl body could do that. Shoot come,’” she defined. “And then this song comes on and it goes, ‘Mine, mine, mine, mine.’ And it’s just fucking mine.”
“The Chronology of Water” is an adaptation of Lidia Yuknavitch’s 2011 memoir of the identical identify. It follows Yuknavitch (performed by British actor Imogen Poots), who enrolls in a Texas school on a swimming scholarship. Her desires of Olympic glory, nonetheless, are dashed when she begins dabbling in drug and alcohol use, although she later finds her true calling as a author, a trainer and a mom.

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Solely time will inform if “The Chronology of Water,” which additionally stars Jim Belushi, Thora Birch and Michael Epp, succeeds in establishing Stewart as a filmmaker in her personal proper. Talking to The Hollywood Reporter final week, the Oscar nominee mentioned the film that’s being screened at Cannes is simply her “first draft,” and that she hoped to refine it earlier than it hits the massive display screen in a wider launch.
“We barely finished this movie. It’s not even done,” she mentioned. “I need to come home and literally have two more weeks in color and sound.”