Colman Domingo paid homage to trend icon André Leon Talley earlier than stunning everybody with a re-evaluation throughout Monday’s Met Gala.
The actor, who served as one of many night’s co-chairs, arrived carrying a pleated royal blue Valentino cape with shimmering gold brocade over the shoulders and a daring Boucheron necklace layered on prime.
Domingo’s flowing blue layer evoked the type of Vogue’s late editor-at-large, who typically draped his towering 6-foot-6 determine in voluminous capes, robes and caftans.
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The ensemble resembled parts of Talley’s search for 2011’s Met Gala, which was devoted to English trend renegade Alexander McQueen.
After making a dramatic entrance, Domingo threw off his cape to disclose an explosion of monochrome textures and patterns.
His black and white windowpane jacket performed off gray melange trousers, a taupe prime with raised stripes and a white vest, which he accessorized with a polka dot scarf and matching brooch.
Domingo thanked Talley for the inventive doorways he opened for generations of Black males to observe whereas getting an early take a look at the Met’s “Superfine: Tailoring Black Style” exhibit on Saturday.
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“If I can point someone’s head back to history to understand how we got here, because it’s not just because I’m here,” he mentioned in a video posted to the Met’s Instagram account. “It’s because André Leon Talley was here.”
“It’s because all these other artisans, people and human beings were here,” he added. “And so, it’s extraordinary. I think it’s going to be very impactful, and potent, and surprisingly, very emotional.”
Talley, who died in 2022, was Vogue’s first African-American male inventive director and served because the journal’s editor-at-large from 1998 to 2013.
Whereas on the purple carpet, Domingo went deeper into the historical past that impressed his apparel.
“I started with this beautiful brocade, custom, Valentino that represents, I feel like I take inspiration from the Moors, I take inspiration from kings,” he informed Entertainment Tonight.
“I took representation from, just the color, the color blue in particular. A free slave said once, ‘I wanted to save up some money so I can wear my finest blue super fine wool suit,’ so I wanted to wear the color blue. And also the color blue was my favorite color that my mother loved me in.”
