The famed film composer who has given us a plethora of epic soundtracks reveals that he felt the technicality of his Oscar snub was silly.
The film scores of Hans Zimmer have resonated with audiences for a very long time. One in every of his newest compositions is for the Denis Villeneuve area odyssey Dune: Half Two. That movie was not too long ago nominated for 5 Oscars, together with Greatest Image, and received for Greatest Sound and Greatest Visible Results. Nevertheless, Zimmer’s work on the soundtrack wouldn’t be acknowledged this time round because of the Academy’s rule stating, “In cases such as sequels and franchises from any media, the score must not use more than 20% of pre-existing themes and music borrowed from previous scores in the franchise.”
Deadline experiences on Zimmer’s look on the Completely happy Unhappy Confused podcast, the place he addressed how a lot he resented the rule. The Dune: Half Two Maestro acknowledged, “You know something? It’s not really a sore point. It’s just such a stupid point — how can it be a sore point?” Then, he continued, “I got disqualified because I was using material from the first movie in the second movie, but it’s not a sequel. It is the completion, both movies are one arc. So was I supposed to go and take all the character themes away and write new character themes and develop them? It’s just a stupid rule. What I didn’t want to do is go and bitch about it.”
Zimmer additionally revealed a bit of reports on the progress of Dune: Messiah with Villeneuve. He says, “I talk to Denis every day. Yes, it’s happening sooner rather than later.” When he was inquired about if he’d already began engaged on the rating for that movie, the composer would play coy by responding, “Mmm, maybe.”
His Dune: Half Two director didn’t mince phrases with Zimmer’s Oscar disqualification. Earlier this yr, he sounded off on the Academy for deeming him ineligible for Greatest Unique Rating as he mentioned, “I am absolutely against the decision of the Academy to exclude Hans, frankly, because I feel like his score is one of the best scores of the year…I don’t use the word genius often, but Hans is one…I’m not here to complain. The soundtrack is really a continuity of Part One.”
