‘Magic Carpet Ride’: Steppenwolf Pile Again Onto The Sizzling 100

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Steppenwolf had a behavior of capturing the zeitgeist. Their second single, the ever strong “Born To Be Wild,” grew to become an anthem for a technology due to its distinguished use within the groundbreaking countercultural film Simple Rider.

‘Magic Carpet Ride’: Steppenwolf Pile Again Onto The Sizzling 100
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Launched in 1969, the image virtually single-handedly despatched the movie trade in a brand new path for the approaching decade. But, regardless of the music’s ubiquitous use because the go-to theme tune for youthful revolt the world over, a subsequent Steppenwolf single has had loads of longevity of its personal.

“Magic Carpet Ride,” issued in September 1968, simply three months after “Born To Be Wild,“ entered the US Sizzling 100 on October 5. Ultimately flying to No.3 within the US charts, it grew to become the group’s second (and final) Prime 5 entry within the US, and their longest-charting single, staying on the survey for 16 weeks.

The music was the product of a very fertile interval for Steppenwolf, showing on their second album of that 12 months, The Second, and likewise discovering its approach onto the soundtrack of the lesser-known Marlon Brando sexcapade, Sweet, in December 1968.

‘Right between my sound machine’

“Magic Carpet Ride” was constructed round a riff conjured by Steppenwolf bassist Rushton Moreve, and with lyrics impressed by the stereo system that frontman John Kay had purchased with the royalties from the band’s self-titled debut album. The strains “I like to dream/Yes, yes/Right between my sound machine” reportedly got here to Kay after he took a demo of the music residence to take heed to.

The monitor has since risen above its inauspicious first celluloid outing to seem in various hip movies – both as a shortcut to conjuring up a bygone period, or, in a single explicit case, recontextualized towards the backdrop of a gritty indie gangster flick.

Austin Powers: The Spy Who Shagged Me, the second within the arch spoof franchise, launched in 1999, featured “Magic Carpet Ride” throughout an evocative retro nightclub scene. The 2001 hipster comedy Jay And Silent Bob Strike Again knowingly relied on the music’s countercultural reference factors for its personal playful homage.

Take heed to the perfect of Steppenwolf on Apple Music and Spotify.

For severe film buffs, nonetheless, it’ll be the model that appeared in Reservoir Canine, Quentin Tarantino’s controversial hit of 1992, that is still essentially the most potent. In a canopy recorded by Nashville-based group Bedlam, the music’s look within the movie signifies that Steppenwolf can lay declare to having performed an essential half in two game-changing rock staples that went on to form generations of movie-makers.

Purchase or stream “Magic Carpet Ride” on The Second.

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