Margot Robbie says her full frontal nude scene as bombshell Naomi Lapaglia in Martin Scorsese’s The Wolf of Wall Avenue was her thought.
Margot Robbie made fairly the impression along with her breakout position in Martin Scorsese’s The Wolf of Wall Avenue, which included a full frontal nude scene. Whereas talking with Ben Mankiewicz on the Speaking Photos podcast, the actress revealed that this scene was really her thought, though she wasn’t fascinated by how “everyone is going to see this” on the time.
“[Scorsese] said, ‘Maybe you can be wearing a robe if you’re not comfortable.’ But that’s not what she would do in that scene,” Robbie mentioned. “The entire level is that she’s going to return out fully bare—that’s the cardboard she’s enjoying proper now.“
The actress additionally defined how she stood out throughout her audition for the position — by slapping Leonardo DiCaprio. The scene which she was studying known as for his or her characters to kiss, however Robbie had one other thought. “I thought, ‘I could kiss Leonardo DiCaprio right now, and that would be awesome. I can’t wait to tell all of my friends this,’” Robbie mentioned. “After which I assumed nah. And simply walloped him within the face. It was useless silent for what felt like an eternity however was in all probability three seconds.“
Robbie continued, “They simply burst out laughing. Leo and Marty had been laughing so onerous. They mentioned, ‘That was great.’ I used to be considering, ‘I’m going to get arrested, I’m fairly certain that’s assault or battery. Not solely will you by no means work once more, really you’ll go to jail for this, you fool.’ And in addition ‘why did you have to hit him so hard? You should have done it lighter.’“
After the success of The Wolf of Wall Avenue, Robbie’s profession exploded with roles in motion pictures equivalent to Suicide Squad, As soon as Upon a Time in Hollywood, and, in fact, Barbie. Nevertheless, not each movie generally is a winner, and one among Robbie’s newer motion pictures premiered to a really blended response, which Robbie is nonetheless confused by. Damien Chazelle’s Babylon depicted the rise and fall of a number of characters throughout an period of unbridled decadence and depravity in early Hollywood. “I still can’t figure out why people really hated it,” Robbie mentioned. “I’m wondering if in 20 years individuals are going to be like, ‘Wait, Babylon didn’t do effectively on the time? That’s loopy.’ Once you hear one thing like, [The] Shawshank Redemption was a failure on the time, or no matter it’s, and also you’re like, ‘Oh, how is that possible?’“
