Just a few weeks in the past we ran a contest asking our readers to weigh in on a subject that’s been fairly regarding for us movie followers, particularly the truth that films appear to be dropping a little bit of their status so far as the popular culture goes. Whether or not it’s new types of leisure, like what you’d discover on-line, the rising high quality of TV exhibits, and the rise of streaming, there are a great deal of the explanation why people simply don’t flock to film theaters like they used to. Living proof – even the 12 months’s most profitable movies aren’t knocking down the staggering grosses that had been commonplace earlier than the pandemic, an occasion which arguably Hollywood has by no means wholly recovered from (the strikes definitely didn’t assist).
In the long run, 5 of the essays our readers despatched in had been really chosen to be printed, so if you happen to haven’t checked them out, I urge you to take action this weekend.
Within the first essay, Eric Stumpf says Hollywood is within the midst of a creativity downside, writing, “Theaters are flooded with soulless sequels, hollow remakes, and reboots nobody asked for. Nostalgia has been weaponized as a business model. From Indiana Jones and the Dial of Destiny to The Marvels, the industry keeps banking on old IPs to do the heavy lifting, only to be shocked when audiences don’t show up.” READ THE REST HERE!
Within the second essay, Mike Hoff places the blame on exhibitors, writing, “Perhaps the best example of Hollywood and theater chains misunderstanding their dilemma is the oft-mocked ads of Nicole Kidman vacantly smiling from her darkened seat. Not only is this yet another advertisement for moviegoers to sit through, but reassuring fans of their purchase — rather than appealing to people who haven’t bought a ticket — seems a waste of time and money.”READ THE REST HERE!
Within the third, Dave McGrath notes the digital loss of life of the house video market, writing, “We’ve already lost the era of video stores and the thriving home video market that once supported a wealth of original, mid-budget films. A strong Hollywood is crucial—not just for the industry itself, but also for independent filmmakers who rely on its opportunities in addition to passion projects. I want to see audiences return to movie theaters, and studios are key to making this happen.” READ THE REST HERE!
Within the fourth, Nicholas Mountjoy notes Hollywood has shot itself within the foot with too brief theatrical to streaming home windows, writing, “Back in the day, movies were on pay-per-view forever before making it to cable channels like HBO or Showtime—and even longer before airing on broadcast networks like TBS or FOX. Going back to that “old way” would possibly assist reinforce the significance of field workplace income, and make theatrical releases really feel extra particular. If folks know they gained’t have the ability to stream a film for a 12 months, they could go to the theater.” READ THE REST HERE!
And eventually, within the fifth, Mike O’Neill lays the blame on the ft of huge enterprise, writing, “today, studios are too focused on churning out hit after hit, assuming the formula for one successful movie can simply be applied to the next. That’s how we’ve ended up with endless superhero films—most of which are starting to look and feel the same.” READ THE REST HERE!
Which one among these essays struck a chord with you? Tell us within the feedback!
