‘Sam Cooke’s swap from gospel to secular music yielded a exceptional 20 songs that made the R&B Prime 10, six of them No. 1s, in lower than seven years. On September 16, 1964, he was releasing the follow-up to the newest of these chart-toppers, “Good Times,” which like a lot of his 45s, had a success B-side in “Tennessee Waltz.” Nobody may have guessed that the brand new single can be the final of his lifetime.
The highest aspect of the brand new launch was the swinging “That’s Where It’s At,” penned by the nice singer himself with common co-writer J.W. Alexander. Cooke had recorded it a yr earlier at RCA Studio in Los Angeles, and it was launched on RCA Victor with the B-side “Cousin Of Mine.” The pairing once more gave him a double chart presence.
Each side of the only turned Prime 10 R&B hits, respectively reaching No.6 and No.8. “That’s Where It’s At” didn’t make a lot headway on the pop chart, reaching solely No.93, however “Cousin Of Mine” managed a Prime 40 rating, at No.31. But it was “That’s Where It’s At” that went on to change into the better-known staple of Cooke’s repertoire, helped partly by later covers by buddies and collaborators akin to Lou Rawls and Bobby Womack, amongst many others.
Take heed to the Biggest Soul 45s playlist.
Cooke’s demise on the age of simply 33, the next December, made this the final time he would see his identify on the charts. However in January 1965, yet one more double-sided hit offered one among his best hours, sadly posthumously, when “Shake” was accompanied by the era-defining “A Change Is Gonna Come.”
“That’s Where It’s At” went on to draw covers by such fellow soul males as Johnnie Taylor, in 1968 and Lou Rawls with Ray Charles, in 1989. Van Morrison reduce it as a part of a medley with “So Quiet In Here” in 1994.
Purchase or stream “That’s Where It’s At” on Portrait Of A Legend.
