A teaser trailer has been launched for The Darkish Area: MVW Mickey-vs-Winnie, which launches a horror cinematic universe
Since Winnie the Pooh and the earliest variations of Mickey Mouse have lapsed into the general public area, we’ve seen these beloved youngsters’s story characters get twisted round and grow to be the middle of a number of horror movies – and now we’re going to get what’s being marketed as the primary public area crossover horror movie. Beating the upcoming mash-up movie Poohniverse: Monsters Assemble out into the world will likely be The Darkish Area: MVW Mickey-vs-Winnie, which has simply unveiled the teaser trailer you could watch within the embed above.
This movie is supposed to launch a cinematic universe known as The Darkish Area, which is being overseen by Pitchfork director Glenn Douglas Packard. A press launch notes that the teaser trailer offers us a glimpse of “the grotesque beginning of Darkish Mickey and Darkish Winnie. The launch of The Darkish Area universe establishes the cursed Hell Forest, introducing terrifying new characters like The Stitcher, Hellshadowers, and The Wickeds. The movie was lensed by Andy Patch (Little Bites, Allegoria) and particular results make-up was developed by Emmy winner Daniel Phillips (Oz The Nice & Highly effective, Peter Jackson’s The Hobbit trilogy). The twisted fairytale, set within the Hell Forest, has completed post-production and is predicted to premiere later this yr.“
With The Darkish Area: MVW Mickey-vs-Winnie, the nostalgic public area figures of Steamboat Willie’s Mickey and A.A. Milne’s unique Winnie-the-Pooh are reimagined into bloodthirsty killing machines, Darkish Mickey (Daniel Wilkinson, Pitchfork) and Darkish Winnie (Chris Boudreaux, Born a Champion, NCIS). These twisted icons wreak havoc in an unrelenting horror showdown, difficult every little thing followers thought they knew about these childhood figures. If you’d like much more data, right here’s a prolonged description: A century in the past, two convicts disappeared into Hell Forest, a spot feared for its darkish legends and whispers of a malevolent curse. Their mysterious vanishing marked the start of tales a few sinister pressure lurking throughout the forest, feeding on those that dared to enter. Within the current day, a bunch of childhood associates, every haunted by their very own unresolved traumas and fears, feels an inexplicable pull to return to the reform college they as soon as attended. Nestled within the heart of the forest’s darkish coronary heart, the deserted hell-camp stands as a decaying monument to their misplaced innocence. Its partitions echoing with secrets and techniques and forgotten horrors. Every of them is drawn by a pressure they can’t perceive, as if the forest itself is asking them to confront the darkness of their anxieties, regrets, and unhealed wounds. The forest takes form within the grotesque types of twisted variations of two beloved childhood figures: Darkish Mickey and Darkish Winnie. These monstrous entities, born from the darkest corners of the group’s psyche, embody their worst fears and regrets—Darkish Mickey, a sinister manipulator and bloodthirsty pressure of chaos, and Darkish Winnie, a feral predator who thrives on destruction. As the 2 conflict in a violent, unrelenting battle, their battle turns into greater than only a bodily confrontation. These twisted incarnations, born from the group’s personal interior demons, pressure them to face not solely the nightmarish creatures but additionally the darkness inside themselves.
Packard offered the next assertion: “I really like that we are able to take these iconic childhood characters from A.A. Milne’s unique Winnie-the-Pooh (1926) and the 1928 Steamboat Willie model of Mickey and create an entire new depraved universe. Our movie is just like the Upside Down World, with these public area icons getting right into a horror smackdown akin to Freddy vs. Jason.“
Our associates at Bloody Disgusting obtained their palms on a pair of character posters, which may be seen on the backside of this text.
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