The Origins Of ‘Kokomo’: What’s In A Title

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In 1988, 24 years after their first U.S. No. 1, the Seaside Boys scored, what’s up to now, their final U.S. No. 1. The track, “Kokomo,” which was used to such nice impact within the Tom Cruise film Cocktail, was written by Mike Love from the Seaside Boys, John Phillips from The Mamas and The Papas, and Scott McKenzie who had an enormous hit with “San Francisco (Be Sure to Wear Some Flowers in Your Hair).” Terry Melcher, who sang in a duo with Bruce Johnson, known as, cunningly, Bruce and Terry, and who was additionally Doris Day’s son and the primary Byrds producer additionally received a co-writing credit score and produced “Kokomo.”

The Origins Of ‘Kokomo’: What’s In A Title
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“The Robins, a black doo-wop group in LA, cut ‘Smokey Joe’s Café’ written by Lieber & Stoller. It influenced me a heck of a lot when I went to write Kokomo.” – Mike Love.

Kokomo is definitely a reputation that has performed an extended and assorted historical past in standard music, one which you might not start to make up. One in every of its strangest manifestations was because the pseudonym for classically skilled pianist Jimmy Wisner). The graduate of Temple College had shaped a jazz trio in 1959 backing Mel Torme amongst others, Mel additionally recorded a track about Kokomo. Wisner had the concept to “rock the classics” — not unique, however as usually occurred with these information it was a one-off concept that labored.

He performed the melody of Greig’s Piano Concerto and he did it in A minor, therefore the only’s identify, “Asia Minor.” Unable to get a launch by way of a longtime label, large or small, Wisner determined to start out his personal – Future Information. It grew to become a neighborhood hit and shortly received a nationwide launch by way of London subsidiary label, Felstead. It made No. 8 in America in spring 1961 and No. 35 in Britain. Wisner had adopted the Kokomo identify to guard his jazz status, and on the time of the only’s launch he by no means gave an interview or had an image printed. There have been 4 extra singles throughout 1961 and the beginning of 1962 however none even received shut to creating the charts; in Britain the one different single he launched was his fourth US launch.

Wisner didn’t return to jazz, he stayed in mainstream pop, arranging and producing. Among the many information he labored on have been Len Barry’s “1-2-3,” The Cowsills, “The Rain The Park and Other Things,” in addition to a number of by one of many quintessential concord teams of the ‘60’s, Spanky and Our Gang. Wisner additionally co-wrote the Searchers final UK No. 1, “Don’t Throw Your Love Away” and labored with Barbara Streisand, Al Kooper, Iggy Pop, Brigitte Bardot, and performed the organ on Freddy Cannon’s “Palisades Park.” See, you might not start to make this up!

Means again in February 1936 Kokomo Arnold accompanied Peetie Wheatstraw on file for the primary time, but it surely was removed from Kokomo’s first session. He first recorded again in 1930 when the 29 years previous Georgia native launched a file as Gitfiddle Jim; usually, Kokomo was identified presently by his given identify, James Arnold.

Arnold was a left-handed slide guitarist, who was residing in Chicago and dealing as a bootlegger, didn’t reduce one other file for 4 years when he reduce “Old Original Kokomo Blues” from which he took his nickname; Robert Johnson later reworked the track as “Sweet Home Chicago.” Arnold himself had primarily based the track on “Kokomo Blues,” a 1928 recording by that different bootlegging guitarist Scrapper Blackwell. On the flip facet was “Milk Cow Blues,” which might even be reworked by others, together with Bob Wills and Elvis Presley.

And that’s removed from all. Louis Armstrong, Dinah Shore, John Renbourn Little Toes, and Eric Bibb all recorded songs about Kokomo.

Kokomo can also be an actual place, however not “off the Florida Keys.” It’s truly six locations as a result of there’s a Kokomo in Indiana, Missouri, Arkansas, Colorado, Hawaii, and Texas. In addition to being a spot, it was a preferred model of Twenties espresso. Within the Nineteen Seventies there was a band named Kokomo, containing two of Joe Cocker’s Grease Band within the line-up. (That they had fleeting success on the rock circuit.)

Store for The Seaside Boys’s music on vinyl or CD now.

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